
Airport
Sound
installation for the new entrance of the Music
Instruments Museum Berlin, 2006
May 10th, 2006 - undetermined
(presentation
times: Tue-Fri 11.00-20.00,
alternatingly 30' playback - 30' silence,
for exact times and appointments, please contact Mr. Wirth: Tel: ++49-(0)30-25481-141;
Email: rw ( at ) sim.spk-berlin.de)
|
Airport the harbour
of air combines aerial sounds from the interior and the exterior,
in correspondence with the location and context of the Music Instruments
Museum Berlin: the existing acoustic environment of the new museum entrance
with its flows of passing traffic merges with sound recordings of musical
instruments from the museum (accordeon, flute, guitar, harp, clarinet,
crumhorn, trombone, trumpet, and several percussion instruments). Blown
air mutates into driven air, the tides of urban traffic are
mirrored in periodically recuring sonic movements. Instrumental sounds
are diffused by a grid of twelve loudspeakers, thus chords and tonal mixtures
can be also perceived as a spatial phenomenon, interactions of neighbouring
frequencies result in microtonal beatings. The underlying electroacoustic
composition is subdivided into 32 one-minute long time windows. The change
between sections is made audible through various bell sounds. |
| Airport
(2006)
12-channel
audio system
Commissioned by the Music Instruments Museum Berlin. |
|
| Many thanks to: Thomas Ertelt, Martin Supper, and the entire team of the Music Instruments Museum Berlin. |